Nationalism and Culture
Nationalism and Culture
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This study offers a new perspective on Italian nationalist culture before Fascism. Focusing especially on the extraordinary literary-political career of Gabriele D'Annunzio (1863-1938), the book shows how literary critics and historians alike have failed to recognize links between the Italian writer and the protofascist -revolutionary right- or -conservative revolution- of France and Germany. Among the study's most significant topics are: the impact of D'Annunzian racial thinking and Orientalis…
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  • Autorius: Jared M. Becker
  • Leidėjas:
  • Metai: 1995
  • Puslapiai: 226
  • ISBN-10: 0820420859
  • ISBN-13: 9780820420851
  • Formatas: 15.6 x 23.6 x 2 cm, kieti viršeliai
  • Kalba: Anglų

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This study offers a new perspective on Italian nationalist culture before Fascism. Focusing especially on the extraordinary literary-political career of Gabriele D'Annunzio (1863-1938), the book shows how literary critics and historians alike have failed to recognize links between the Italian writer and the protofascist -revolutionary right- or -conservative revolution- of France and Germany. Among the study's most significant topics are: the impact of D'Annunzian racial thinking and Orientalist writing in the evolution of Italian imperialism; conflicting responses of D'Annunzio and Thomas Mann to nationalist images of a regenerated Venice; and how Andre Gide refuses D'Annunzio's homoerotic nationalist cult."
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This study offers a new perspective on Italian nationalist culture before Fascism. Focusing especially on the extraordinary literary-political career of Gabriele D'Annunzio (1863-1938), the book shows how literary critics and historians alike have failed to recognize links between the Italian writer and the protofascist -revolutionary right- or -conservative revolution- of France and Germany. Among the study's most significant topics are: the impact of D'Annunzian racial thinking and Orientalist writing in the evolution of Italian imperialism; conflicting responses of D'Annunzio and Thomas Mann to nationalist images of a regenerated Venice; and how Andre Gide refuses D'Annunzio's homoerotic nationalist cult."

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